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I’ve been fascinated with the archetypal patterns behind stories for a long time, but it was only after I delved deeper into the mysticism of Numerology and Sacred Geometry that I began to notice some fascinating correlations between those mystical teachings and the classical tools of story telling. This brought about the idea of a visionary approach…
The Power of Place in Writing a Novel
Have you ever thought about the power of place, of setting, in writing your novel? The setting in most novels is nonspecific. Meaning that, while setting itself is important, the specificity of the setting is oftentimes not. The high school romance between Bella and Edward in Stephenie Meyer’s Twilight could have begun in any modern…
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An elevator pitch is a brief, uber-abridged summary of your story; two sentences that capture your story’s essence.
Visionary Fiction and Transhumanism, Part 2
We ended Part 1 stuck between the opposites of Matter, represented by the infernal machines, and Spirit, as epitomized by abstract ideals. Transhumanism, by definition, seems positioned in the former category, the Dalai Lama’s “half machine,” and our visionary viewpoint in the latter, what His Holiness calls “a stream of consciousness.” That these two elements, one inanimate and the other animate, might join in some unnatural marriage to rival or supplant the current human model was seen, to put it kindly, as far out.
Therapeutic Benefits of Visionary Fiction – Application – Part 5
This is the final installment of the Visionary Fiction as Personal Therapy Series. In part 1, we discussed recognition, when a reader experiences a sense of familiarity while reading. In part 2, visionary fiction authors expressed their feelings of recognition while they were writing their stories. In part 3, various authors discussed how they reacted to issues…
Visionary Fiction Part One: The Bucket
By Victor E. Smith
“We tried mightily to get the retailing powers to start a visionary fiction shelf. We came close with Walden, but the suits at B&N, alas, took the position of ‘no one is coming into the store asking for visionary fiction’,” said editor Bob Friedman of the situation as he saw it at Hampton Roads Publishing some years ago.