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Theosophy and Visionary Fiction, Part Two
[In Part One of this post, we discussed the similarities and differences between theosophy and theology, the two forms of theosophy (Blavatskyian with a capital-T and generic with a small-T), and that the spirituality prescribed by theosophy has the elements of universalism and perennialism in common with the definitions of Visionary Fiction.] Theosophy (Small-t) Proper…
A New American Vision: Rethinking Our Past and Future Mythologies, Part 2 – Guest Post by Marian A. Lee
Vision is not mere fantasy devoid of pragmatic realism but an expression of our core values linked to universal experiences. For a nation that used to pride itself on a universal concept of E Pluribus Unum (out of many, one), we have politically divided and compartmentalized ourselves in the “Pluribus,” but have precious little “Unum”…
The Metaphysics of Lucid Dreaming – Visionary Fiction for Kids, Part 2
The Metaphysics of Lucid Dreaming – Visionary Fiction for Kids by Brandon Bosse Part 2 First, I want to wholeheartedly thank the VFA for the opportunity to share my story and ideas. I am grateful to be able to share my passion. Thank you to my fellow VFA members for the kind words in response to…
The Power of Place In Writing Visionary Fiction – Jodine Turner
Editor’s Note: We are posting this repeat of one of our readers’ most commented upon articles, with some new additions. We invite you to share your thoughts and continue the discussion! ************* Have you ever thought about the power of place, of setting, in writing your Visionary Fiction novel? In The Writer’s Chronicle, (Vol. 51,…
Relevance Of Visionary Fiction – Margaret Duarte
Margaret Duarte Before I explain what Visionary Fiction is, let me position it on a chart that shows the basic types of literature and genres. As you can see, rather than being a genre of its own, Visionary Fiction is a subgenre of Speculative Fiction, which makes it hard to categorize, and, although VF has…
The Parallels Between Storytelling and Enlightenment – Part 2 – Stefan Emunds
Egseth’s style is suitably simple for an adolescent narrator, yet subtle enough to capture the nuances of one awakening to the spark of the divine within all things