Women’s Visionary Fiction is not a new type of Visionary Fiction. It has been around for decades if not centuries. In fact, for all of recorded history (and thousands of years before writing existed) women have been associated with visions, mystical experiences, spiritual powers, magic, the ability to bring new life into the world, heal the sick, and speak to the dead.
When women authors finally cracked the Paper Ceiling of Publishing in the early 1970’s, they began to draw on their visionary heritage as they struggled for cultural recognition and spiritual identity.
The best of Women’s Visionary Fiction is not preachy or didactic. Mystical, flowing, beautifully crafted, it draws on folk traditions and esoteric sources as it creates new worlds, explores the after-life, and evokes other states of consciousness and other realities. Yet many of the early examples, fine they are, still remain unknown except to a small audience of readers.
For example, in 1940, Native American author Ella Deloria wrote Waterlilly, a visionary novel that takes as its subject Lakota (Sioux) culture before the Lakota had contact with Europeans. This fascinating recreation of Lakota rituals, culture, and spiritual life, was not published until 1988, nearly twenty years after Deloria’s death.
In the past half century, women have written visionary fiction about witches, midwives, herbal healers, priestesses, goddesses, fairies, oracles, and angels. In fact, sometimes the authors themselves have been witches, midwives, herbal healers, and priestesses. Take for example Starhawk, San Francisco’s most famous witch. Her novel The Fifth Sacred Thing (Bantam, 1993), is a post-apocalyptic vision of the … Continue reading