“Buen Camino!”

“Buen Camino!”

These words offer wishes of good fortune to travelers of the Camino, or ‘The Way,’ – a pilgrimage on the Compostela de Santiago trail that runs from southern France through northern Spain. A friend from my writing critique group recently invited me to trek this 500 mile path with her. I was excited and intrigued at the prospect.

I wondered what it was about the Camino that had me so enthralled. The Camino pilgrimage is a physical challenge, but it is primarily a spiritual journey, one that thousands have traveled since medieval times. Daily hiking compels the traveler to interact with the land and its many ancient sacred sites along the way, as well as to inwardly focus on their own interior soul landscape. The pilgrimage is reminiscent of the Celtic Imram, the name given to the physical voyages and counterpart soul quests of the ancient Celtic peoples of Ireland and Britain. The Camino invitation brought back memories of one of the most important Imrams of my life – my journey to Glastonbury, England. It was a sojourn that eventually fueled the inspiration for my Goddess of the Stars and the Sea novels.

Glastonbury, the ancient isle of Avalon, is the setting in my favorite novel, the classic The Mists of Avalon, penned by Marion Zimmer Bradley. The story tells      the Arthurian Grail legend from the feminine viewpoint of Morgaine, King Arthur’s half sister and priestess of the Goddess. Bradley’s novel has been a best      seller for many years because it touches the collective psyche of our times. Her novel characterizes the re-emergence of the … Continue reading

Visionary Fiction’s Effect On This Author

By Eleni Papanou

In the not so distant past, writing felt more like a chore. It took ten screenplays and one badly written novel to admit I never felt satisfied with what I produced. It seemed like I wrote only to satisfy an audience, which made the experience hollow. Longing to create something more personal, I switched my focus from high concept to indie and began working on The Cabin. The concept was simple: two ex-lovers, Damon and Flora, meet up for eight lifetimes. The hook: Damon’s memories of his past lives are triggered when Flora arrives to arrest him for assassinating their leader, and they soon end up murdered by  a well-respected elder.  Each lifetime, Damon races against time to save himself and Flora.

After I finished the screenplay, I liked the story enough to explore the idea of writing it as a novella. Starting was easy as a screenplay makes an excellent outline. I expected all the plot points would be the peaks, and the new material would be the valleys leading towards them. Yes, this was going to be easy…so I thought. Little did I know The Cabin was about to  transform into a full-blown epic…something I had dreamed of one day writing.

The move that changed everything…

The Cabin evolved after I introduced a piece of technology from an older screenplay I had given up on. This fortuitous maneuver ended up  connecting the two stories together and made the peaks of The Cabin less significant to the overall story! Other characters entered The Cabin, and it was now too small … Continue reading