I’m going to go out on a limb and suggest that those of us writing Visionary Fiction have had some sort of vision, be it a lucid dream, an unexpectedly successful meditation, a trip brought on by a substance outside the normal diet, or even a near-death experience. It may have lasted several hours, possibly a day or two, but more likely it was only a few minutes. Nevertheless, a mere glimpse beyond the veil is all that’s required to alter one’s consciousness. We are suddenly aware that we are more than; more than we had been taught, more than we believed, more than we could have imagined. We are aware that things are not as they seem, and perhaps more importantly (as a motivating factor), we are aware that things need not remain as they are, that if only more people were clued in to the true nature of reality, the manifested mundane world could be modified in ways that would benefit all beings. So we are driven to spend endless hours of our short time here on earth piling up words, in hopes that our work will open the minds of our readers.
I’ll go out on another limb and presume that as writers of fiction we have all learned the maxim: show, don’t tell. Yet how do we show the qualities we have come to know in that eternal moment snatched from the other side—timelessness, infinity, unity—given that our only tool, language, is linear, finite, and distinctive by nature? How do we convey a globe to Flatlanders at all, let alone without technical ‘tell-y’ … Continue reading