Editor’s note: One of our Visionary Fiction Alliance founding members, Margaret Duarte, wrote a review of Rea Martin Nolan’s latest book, Mystic Tea. You can read the review here. We were so pleased with how Rea represented Visionary Fiction that we asked her to share her perspective on what is important in writing Visionary Fiction, and how she goes about writing it. Here is Rea’s insightful response.
Visionary fiction is a delicate matter requiring a mastery of creative and technical balance. Unlike Fantasy, which generally takes place entirely in realms of the authors invention, Visionary Fiction is best told in the firmament of human physical and emotional experience. For me, at least, the goal is not to write exclusively for mystics, but for readers in the process of awakening. This requires an accessible entry point with opening scenes steeped in familiar culture, grounded in temporal human experience.
Since Visionary Fiction bears witness and insight into expanded awareness, the question then is how to balance the story structure. I have been writing what is now known as Visionary Fiction for twenty years. In my short stories, first two novels, and the third novel, The Anesthesia Gamewhich will debut this year, I maintain a similar ratio of concrete to mystical of about 2:1. Of course (being visionary) I didn’t craft this ratio consciously. However, looking back, I see what I’ve done time and again. This ratio has been so successful for me because it grounds the reader firmly in the third dimension before introducing any significant mystical or esoteric scenes. By the time the story launches into the mystical, the reader … Continue reading