Visionary Fiction: The Call to Awakening, An Interview with Rea Nolan Martin – Part 2

This is part two of Robin Gregory’s interview with author Rea Nolan Martin. For part 1, please click here.

Robin: “It is entirely possible that behind the perception of our senses, worlds are hidden of which we are unaware,” Albert Einstein said. Some of your characters have contact with non-physical beings. Can you talk about what lies beyond “the perception of our senses”?

Rea: Ha! Everything! Our senses are keys that unlock doors to the next chamber, wherein another locked door awaits us, and another, etc. The secrets of the universe are contained in a tabernacle at the epicenter of existence. The observable “seen” world, however, is full of clues if we have “eyes to see” and “ears to hear” as is repeated over and over again in ancient sacred texts. But we have to attune ourselves to that world, which means constantly adjusting and refining our spiritual antennae to new and evolving signals.

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Visionary Fiction: The Call to Awakening, An Interview with Author, Rea Nolan Martin -Part 1

An interview with author Rea Nolan Martin, author of The Anesthesia Game. A collection of Rea’s most inspirational essays, WALKING ON WATER, will be released in 2016. 

By Robin Gregory

Mother of two sons, professor, editor, novelist, and regular contributor to Huffington Post, Rea Nolan Martin is a visionary writer, one who writes stories of transformation and self-realization. “I have always believed in miracles, and over the years that belief has not diminished. In fact, at this point, I have grown to expect them.” She agreed to talk with me about her life, writing, publishing, and her new novel, “The Anesthesia Game.”

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Visionary Fiction and Truth

BY ELIZABETH BECKETT Truth is relative. It depends where you are standing, and when. A thousand different versions of one story can all be right. So how do we make sense of it all? By finding your own truth – what resonates with you and you feel implicitly to be on your frequency. Some people think that my books are astounding, and others think that they are rubbish. But I must persevere for the readers whose personal truth frequencies are attuned with what I write, because that is powerful. Continue reading

The Wounded Healer: the Greek Myth of Human Evolution

Multi-faceted visionary craftsman Esme Ellis has been a supporter and contributor to the Visionary Fiction Alliance almost from its inception. She has written four books; Pathway Into Sunrise, Clea and the Fifth Dimension, This Strange and Precious Thing, and Dreaming Worlds Awake. Here are some of her musings amidst samples of her visionary art. Continue reading

The Anesthesia Game and Visionary Fiction – guest post by Rea Nolan Martin

(Editor’s note – Oftentimes our stories are culled from our life experiences – painful, joyful, mystical, paranormal – and forged into Visionary Fiction. Author Rea Nolan Martin tells her tale of how such an experience shaped her newest novel.)

The Anesthesia Game final coverThe story behind The Anesthesia Game is very close to my heart. The fifteen-year-old protagonist, Sydney, suffers a life-threatening illness that requires frequent spinal procedures for which she undergoes regular anesthesia. Having spent years accompanying my own child through such procedures, I understood from page one the spectrum of courage (or cowardice) my characters would likely exhibit, patient and family members alike. Having said that, this story is far from a memoir. The personalities of my characters vary greatly from those of my own family. I constructed the characters from scratch, asking myself—what if not one, but all of them suffered some kind of affliction, real or imagined? What if, in order to manage their afflictions, each one of them was also under the influence of her own version of anesthesia? How would they manage to help each other? How would they progress? Or would they? Who would lose a life and who would find one? After the first 100 pages or so, the characters showed me the way.

As a writer of Visionary Fiction, I imagined the child’s disease and the resulting anesthesia, not as a means of sedating her life, so much as awakening it. After all, what value do negative experiences contain if not to hone us and/or those around us? The problem is, at what price the experience? The risks in this story are as high as they can … Continue reading

What Is Women’s Visionary Fiction?  Part I – Guest Post By Mary Mackey

Women’s Visionary Fiction is not a new type of Visionary Fiction. It has been around for decades if not centuries. In fact, for all of recorded history (and thousands of years before writing existed) women have been associated with visions, mystical experiences, spiritual powers, magic, the ability to bring new life into the world, heal the sick, and speak to the dead.

When women authors finally cracked the Paper Ceiling of Publishing in the early 1970’s, they began to draw on their visionary heritage as they struggled for cultural recognition and spiritual identity.

The best of Women’s Visionary Fiction is not preachy or didactic. Mystical, flowing, beautifully crafted, it draws on folk traditions and esoteric sources as it creates new worlds, explores the after-life, and evokes other states of consciousness and other realities. Yet many of the early examples, fine they are, still remain unknown except to a small audience of readers.

Cover of Waterlilly by Ella Deloria

For example, in 1940, Native American author Ella Deloria wrote Waterlilly, a visionary novel that takes as its subject Lakota (Sioux) culture before the Lakota had contact with Europeans. This fascinating recreation of Lakota rituals, culture, and spiritual life, was not published until 1988, nearly twenty years after Deloria’s death.

In the past half century, women have written visionary fiction about witches, midwives, herbal healers, priestesses, goddesses, fairies, oracles, and angels. In fact, sometimes the authors themselves have been witches, midwives, herbal healers, and priestesses. Take for example Starhawk, San Francisco’s most famous witch. Her novel The Fifth Sacred Thing (Bantam, 1993), is a post-apocalyptic vision of the … Continue reading

Investigating the Collective Mind in Visionary Fiction – guest post by Warren Goldie

Inga cover 10I wrote my first novel to explore several concepts that struck me as compelling and profound. The first of these concepts posits that all human beings are connected collectively at a deep psychological level, inaccessible to the thinking mind but which can be touched in higher or altered states of consciousness. Accessing this state is akin to what some religious and spiritual belief systems would call a unity experience. Carl Jung termed this shared reality the collective unconscious, likening our individual psyches to the spokes of a bicycle tire with the collective at the hub.

The second idea relates to locales around the globe that mystics and sensitives claim to be energy centers or “power points” via which inflowing energy animates our reality, and may even influence thought, belief and emotion. Some have speculated that the world’s most enduring belief systems and religions arose in the most powerful of such places (e.g., Jerusalem) and retain their influence due to this origin.

The third idea involves the remote viewing program that both the U.S. and Soviet Union operated during the Cold War years, recruiting and training mystics and sensitives to serve as “psychic spies.” A whole body of literature exists today detailing this now declassified program which claimed startling successes in the projection of consciousness to distant locales.

 

The Ah-ha Moment

When I came across The Celestine Prophecy and saw how James Redfield had woven together several metaphysical theories within a fictional adventure story, I recognized how I would tell my tale. Like Redfield, I structured the plot along the lines of the Hero’s Journey, so … Continue reading

Fables, Italo Calvino, and Visionary Fiction – guest post by Stephen Weinstock

Stephen vfa postThis summer I saw Sophocles’ Oedipus Rex at the Stratford Shakespeare Festival in Ontario. Teiresias was in drag, the Chorus intoned like gospel churchgoers, and the blind Oedipus appeared in the nude (an email warned us ahead of time). Despite the wonderful theatricality, I was put in mind how powerful the Oedipus myth is, with the oracle, the Sphinx, the plague, and the family tragedy as archetypal components. This great myth raised questions for me: is Sophocles’ drama Visionary Fiction? Here is a character grappling with the nature of Truth and his inner consciousness, blindness and all. This is the theme Sophocles renders, but then is the primal myth Visionary Fiction, a myth that has inspired great minds like Freud to transform human consciousness about our psychic nature?

We know this aspect of myth, of fairy tale, of fable, that they exist as pure story, often innocent on the surface, broad-stroke actions without inner character development or thematic commentary. But scratch a bit of that surface, do the least bit of interpretation, and worlds of meaning emerge, often the kinds of transcendental truth that Visionary Fiction embraces. How then do we include or approach these folkloric narratives, which have no original authors or first editions? They are at once the most visionary of fictions, and not technically fiction at all.

What of fable? On the one hand, this form may be the closest in definition to VF. A fable is a story intended” “to reveal moral or ethical consequences to life’s many choices.” This lesson component to the fable aligns with the higher truths that VF … Continue reading