We are living at a crucial moment in the advancement of humanity. Everything is in flux. Materialism and reliance upon ever more sophisticated technology has reached unprecedented extremes, while in parallel a new yearning for purpose and a path to attainment is swiftly gaining ground.
Visual and literary visionary creators have a key role to play at this time. For by our very nature, we instinctively see beyond the apparent veil that separates our “material” reality from the infinite realities in which we move and have our being.
As visionaries, we cannot – and must not – ignore the growing rapprochement between the latest developments in quantum physics and the enlightenment sought by mystics.
The implications of the common ground between these two disciplines allow us to put forward the following Visionary Writers’ credo:
- QUANTUM META-PHYSICS tells us that REALITY is an ILLUSION.
- EXISTENCE plays out on limitless numbers of parallel TIMELINES.
- VISIONARY insight empowers us to alter the makeup of our single NOW.
- In turn, WORLDVIEWS shift and we gain greater control over DESTINY.
- Our PURPOSE is to SHARE these visions by forging PARALLEL REALITIES.
- To trigger varying degrees of KNOWING among our AUDIENCES.
- Thus contributing to RAISING AWARENESS and ushering in the NEW PARADIGM.
All of this means that we, as visionary writers, have a particular responsibility in these transitional times. We are writers with a mission and can make a very real contribution to heightening collective consciousness wherever our works may “happen” to be read or heard.
Shaping our own destiny
Since we all share this huge responsibility, we must also learn how to “jump” the timelines and steer ourselves into the parallel universe where our visions are able to fulfil … Continue reading
New England Inspiration
I grew up in Norwich, which is a little town in Connecticut rich in beauty and in history. Old buildings lined most streets, and are still used as existing businesses. The Norwich Post Office was built in 1905, in the Classical Revival design. I attended Norwich Free Academy, a high school mainly composed of very old and beautiful buildings. Perhaps the most notable is the Slater Museum. The museum has always kept a variety of different art pieces, but what always stuck out to me was the plaster cast collection of Egyptian, Greek, Roman, and Italian-Renaissance sculptures. I lived down the street from my school, which was very close to the Yantic Cemetery, and the Indian Leap Falls. The Yantic Cemetery was special, because it was built in the Victorian era, back when they used to design graveyards like gardens. Pathways, trees, and aesthetically pleasing graves were only a few of the lovely features. I would often come to the graveyard, to walk and have some time alone to think. Sometimes, I felt as though the tall trees could hear my thoughts. It is one of the most peaceful places I have ever been to, and there is something about it that does not make one fear death nearly as much.
Shortly after the launch of the Visionary Fiction Alliance in 2012, Randy Davila, president of Hierophant Publishing and Hampton Roads Publishing Company, wrote a post for visionary fiction writers that remains relevant today. Therefore, I’m resubmitting it as our first post for 2017.
First purpose of fiction
Visionary fiction authors have one of the hardest jobs as writers—to both entertain their readers and to introduce them to new metaphysical topics, which the readers may have never been exposed to before. The most successful authors, of any type of fiction, understand that the first purpose of their book must always be to entertain.
Unfortunately, many times we see visionary fiction authors who feel so powerfully about their message that they let it become the central focus of the story, and drown the reader in metaphors, exercises, theories and unnatural dialogue all in the name of conveying their message. They have forgotten that their readers came to the fiction section of the bookstore to be entertained first and foremost. This is where the fiction author can run into the most difficulty in trying to reconcile their love of the story for the love of the message.
We, as fiction authors, have been told time and time again to “show, don’t tell”—and your metaphysical or spiritual message is no exception to this rule. To keep the reader engaged, you must show them how your character’s negative thinking is drawing negative circumstances into his life; or leave room for the reader to intuit how the character’s dreams about the Divine Feminine correlate to her real-life experiences. Showing the reader how these theories work instead of simply telling them that … Continue reading
A creative trance that allows me to delve into my unconscious whenever I want to, get the material I need for my poems and novels, bring that material up to my waking reality, remember it, and write it down.
Visionary Fiction, with its emphasis on spiritual wisdom and the evolution of consciousness, is in a unique position to explore Western Esotericism in its various guises. Continue reading
The Metaphysics of Lucid Dreaming – Visionary Fiction for Kids
by Brandon Bosse
First, I want to wholeheartedly thank the VFA for the opportunity to share my story and ideas. I am grateful to be able to share my passion. Thank you to my fellow VFA members for the kind words in response to Part 1 of this blog post. If you haven’t read Part 1 yet, I recommend starting there.
Visionary Fiction for Kids
Kids are naturally curious about the world. With the Internet at their fingertips, they are even more informed about the way the world works than any generation before. I think that teens crave new ideas and a deeper understanding of the world around us. That is why I think that young readers are up to the challenge of understanding such complex concepts presented in The Dreams of Phillip Aisling and the Numinous Nagwaagan. I hope that I’ve been successful at taking these concepts and presenting them in an entertaining way.
The VFA is transforming human consciousness, one book at a time, and this transformation is most effective if it starts earlier in life. I think it is important to introduce younger audiences to the ideas in visionary fiction before they become stubborn old adults, set in their ways. This book was a middle-grade/young-adult novel from the onset. Even though it is written for younger readers, it is not over simplified. I think kids are smarter than they are often given credit for. The book presents the metaphysics of dreaming not directly … Continue reading
The Metaphysics of Lucid Dreaming – Visionary Fiction for Kids
by Brandon Bosse
There are plenty of books written about lucid dreaming, but most of them are written for the adult reader a]nd aren’t intended for children or young adults. Many younger readers aren’t interested in reading dry, philosophical, non-fiction books and easily get bored. Yet, young readers are nonetheless (often indirectly) exposed to the underlying morality and metaphysical aspects of the fictional stories they read. Taking inspiration from stories like Harry Potter, Matilda, Alice in Wonderland, and Wizard of Oz, I began writing The Dreams of Phillip Aisling in 2007. It is a story designed to introduce younger readers to safe and confident exploration of the rich and exciting world of lucid dreaming. It is told from the perspective of a 13 year old boy who is struggling to understand what his dreams mean. I wanted to present lucid dreaming in an entertaining way that kids would enjoy. Readers of all ages are invited to join Phillip in learning to take control of their dreams. The book also explains, from a kid’s point of view, possible theories about the metaphysics of dreams and how they can be interpreted as glimpses into alternate realities within Hugh Everett’s multiverse.
What is “Lucid Dreaming” Again?
Before we delve into the metaphysics of dreaming, you may be wondering … Continue reading
Women’s Visionary Fiction gives us something more. Continue reading
Here’s your chance to help out a fellow Visionary Fiction Alliance member with his MA thesis and have a little fun in the process. Robert Springer invites you to, “Add your voice. Explore your new life,” by journaling about your resurrection.
In Resurrectorium 1920, the dead are being given back their lives, but they must find their own happiness.
Robert’s instructions for participation are as follows:
This is my MA thesis, a “crowd-sourced” novel where other writers can write portions of the story. If you participate, you write as if you are keeping a journal upon awakening in a hospital-like Resurrectorium. “You have been resurrected from the dead.” These words welcome you to a different world. It’s a beautiful world. People are friendly. There is work, but not drudgery. Money, but not riches. Eternal life for some, perfect health for all. There are two kinds of resurrected life: Zoë life, the eternal life of God, and Bios life, the life you have now but with perfect health and 1,000 years to reach Zoë life. You can write as a Zoë teacher who has stood in the presence of God in heaven, or you can write as a Bios who, other than perfect health, is exactly as we all are now. But not everyone is happy.
This is part 2 in a series about Maharishi Mahesh Yogi. Author, MR Neer addresses some questions that are related to the Yogi’s theory about the connection between literature and the evolution of consciousness. Please read the previous post where MR Neer offers some insight about literature, how we experience it, and how it develops human consciousness.
How does literature affect the writer, reader, and society?
Now from this foundation, I have identified 10 of Maharishi’s key ideas about literature.
For the Writer:
1) Silence. The creative process depends on the inner silence of the writer. The aspects of a piece of writing “all come together in a very beautiful, connected manner if there is silence deep within.” By silence, he means thought arising from the state near or at the level of pure consciousness – the quietest level of the mind where all activity has settled down. He insists that the power of literature lies in “the purity of the writer, in the purity of the consciousness of the writer who is able to bring in an ocean in a drop, … [who] naturally comprehends the totality on any surface value of a thing.” He explains that when a writer maintains that simple, silent awareness, it has all possibilities in it.
2) Flow. Good writing is … Continue reading