Women’s Visionary Fiction gives us something more. Continue reading
Here’s your chance to help out a fellow Visionary Fiction Alliance member with his MA thesis and have a little fun in the process. Robert Springer invites you to, “Add your voice. Explore your new life,” by journaling about your resurrection.
In Resurrectorium 1920, the dead are being given back their lives, but they must find their own happiness.
Robert’s instructions for participation are as follows:
This is my MA thesis, a “crowd-sourced” novel where other writers can write portions of the story. If you participate, you write as if you are keeping a journal upon awakening in a hospital-like Resurrectorium. “You have been resurrected from the dead.” These words welcome you to a different world. It’s a beautiful world. People are friendly. There is work, but not drudgery. Money, but not riches. Eternal life for some, perfect health for all. There are two kinds of resurrected life: Zoë life, the eternal life of God, and Bios life, the life you have now but with perfect health and 1,000 years to reach Zoë life. You can write as a Zoë teacher who has stood in the presence of God in heaven, or you can write as a Bios who, other than perfect health, is exactly as we all are now. But not everyone is happy.
This is part 2 in a series about Maharishi Mahesh Yogi. Author, MR Neer addresses some questions that are related to the Yogi’s theory about the connection between literature and the evolution of consciousness. Please read the previous post where MR Neer offers some insight about literature, how we experience it, and how it develops human consciousness.
How does literature affect the writer, reader, and society?
Now from this foundation, I have identified 10 of Maharishi’s key ideas about literature.
For the Writer:
1) Silence. The creative process depends on the inner silence of the writer. The aspects of a piece of writing “all come together in a very beautiful, connected manner if there is silence deep within.” By silence, he means thought arising from the state near or at the level of pure consciousness – the quietest level of the mind where all activity has settled down. He insists that the power of literature lies in “the purity of the writer, in the purity of the consciousness of the writer who is able to bring in an ocean in a drop, … [who] naturally comprehends the totality on any surface value of a thing.” He explains that when a writer maintains that simple, silent awareness, it has all possibilities in it.
2) Flow. Good writing is not so much about … Continue reading
Maharishi and States of Consciousness
Maharishi Mahesh Yogi, often considered the leading scientist of consciousness in our time, brought out the TM technique from the ancient Vedic tradition. That tradition of teachers for millennia has maintained the knowledge of frequencies of sound and how to use them for the evolution of life. The sounds were originally cognized by rishis in their own pure consciousness as the vibratory structure of creation. Maharishi was able to systematize the teaching to make it available to people around the world, and he encouraged scientific research so that meditation and its experiences were not shrouded in mysticism.
What has emerged over the last 50 years are seven stages of growth of consciousness based on specific measurable changes in the human nervous system. Pure consciousness has turned out to be a natural 4th state of consciousness (beyond waking, dreaming, and sleeping) that we all have within us. It is our own internal antidote to stress as well as the key to creativity and health. Maharishi called the 5th state Cosmic Consciousness (where inner silence and outer activity coexist 24 hours a day), the 6th state Refined Cosmic Consciousness (where perception refines and the heart expands), and the 7th state Unity Consciousness (where inner and outer merge in one united awareness).
It’s rare to have an enlightened sage comment on specifics of literature, but part of Maharishi’s mission was to bring his attention to every aspect of modern life to identify the most fundamental or ideal state of that discipline. I have organized my summary of … Continue reading
We continue our 1997 interview with pioneering Visionary Fiction author John Nelson. He addresses biotechnology’s role in our present and future culture. Continue reading
A special treat this week! We have been given permission to republish a 1997 interview with pioneering Visionary Fiction author John Nelson. An authentic piece of VF history. Continue reading
Leonide Martin – Visionary Fiction stories promote a shift of consciousness, which is accompanied by chemical changes in our brain. Continue reading
This is part two of Robin Gregory’s interview with author Rea Nolan Martin. For part 1, please click here.
Robin: “It is entirely possible that behind the perception of our senses, worlds are hidden of which we are unaware,” Albert Einstein said. Some of your characters have contact with non-physical beings. Can you talk about what lies beyond “the perception of our senses”?
Rea: Ha! Everything! Our senses are keys that unlock doors to the next chamber, wherein another locked door awaits us, and another, etc. The secrets of the universe are contained in a tabernacle at the epicenter of existence. The observable “seen” world, however, is full of clues if we have “eyes to see” and “ears to hear” as is repeated over and over again in ancient sacred texts. But we have to attune ourselves to that world, which means constantly adjusting and refining our spiritual antennae to new and evolving signals.
An interview with author Rea Nolan Martin, author of The Anesthesia Game. A collection of Rea’s most inspirational essays, WALKING ON WATER, will be released in 2016.
By Robin Gregory
Mother of two sons, professor, editor, novelist, and regular contributor to Huffington Post, Rea Nolan Martin is a visionary writer, one who writes stories of transformation and self-realization. “I have always believed in miracles, and over the years that belief has not diminished. In fact, at this point, I have grown to expect them.” She agreed to talk with me about her life, writing, publishing, and her new novel, “The Anesthesia Game.”
BY ELIZABETH BECKETT Truth is relative. It depends where you are standing, and when. A thousand different versions of one story can all be right. So how do we make sense of it all? By finding your own truth – what resonates with you and you feel implicitly to be on your frequency. Some people think that my books are astounding, and others think that they are rubbish. But I must persevere for the readers whose personal truth frequencies are attuned with what I write, because that is powerful. Continue reading